The World of Film

Remember this post when I was so excited to introduce my newest camera? For the past few months we've been exploring what it means to shoot with film. Last week we received our first order back from Richard Photo Lab and I was blown away with the result. People have been asking me if there's a visible difference between film and digital. And to be completely honest my answer is a definitive I don't know. For the most part I can tell when a photographer shoots with film versus when he or she shoots digitally. But there are ways, really, really good ways off camera, through Photoshop and a variety of other software, to make digital pictures appear nearly identical to film. So what, then, is the real difference between the two? I can only speak for myself but in my personal experience it has less to do with the look of the image than it does with the feel. Last week, as Colton and I anxiously looked through the proofs of our negatives, I couldn't help but feel as though we were looking at something special, something timeless. It's one thing to sit at your desk and look at your photos on a computer screen. But it is another thing entirely to open up a box of prints and feel them between your fingers. To see your images in all their grain and grit and glory and to really, actually feel them. As crazy as it is a printed picture is somewhat hard to come by in today's world. We take our images from the DVD and download them to our laptop before uploading them to Facebook for the world to see. And I definitely get it, I did the exact thing with my own wedding photos just over a year ago. But with film I'm forced to actually take note of a photograph's physical existence. I load the film, I think about each click of the shutter, and I see the images for the first time in my own hands. It gives me a whole new appreciation for what emotion photography can evoke.

I'm posting a few shots from our first few adventures with film. I apologize in advance for the number of pictures of myself. It's embarrassing and I cannot help but feel like the person who makes a Facebook album and tags herself in every picture (you all know exactly who I'm talking about). Go ahead and judge, I'm doing the same thing. But I think these pictures are a good representation of the look and feel of film - a look that can't quite be put into words. I'd be remiss if I didn't say that Colton took the majority of these pictures which, like always, fills me with equal parts pride and raging jealousy.

...but maybe a little more jealousy.

Question: What horribly misguided person taught me to eat ice cream this way???

And a few last shots from Griffin + Sammy's engagement session last month. Happiness.

Happy Tuesday,

Michelle

Memorial Day + a Preview

As a painfully West Coast girl I never thought I'd hear myself say that there are parts of living in Virginia that I really, truly miss. The history, the style, the annoyingly irresistible accents. Colton and I just arrived home from shooting an amazing wedding in DC yesterday and while my feet feel as though they should be left in an ice bath for the next three days, I couldn't be any happier to have spent the memorial weekend in our nation's capitol. Having just spent the last five hours on a plane I'm officially taking the afternoon off to relax, enjoy the perfectly warm sun outside, and to spend a few minutes thinking about the incredible men and women who have made the ultimate sacrifice for our country. I believe, beyond a shadow of a doubt, that they're the reason I'm able to do what I love, in freedom, while filing it under the guise of a job. I'll leave you with this completely unrelated sneak peek of the workshop I attended last Thursday with Gabriel + Carlie Davis. The full post (and more from that gorgeous tablescape) will follow later this week.

Happy Memorial Day,

Michelle

The Classics :: Vol. I

I tend to think that in the world of photography there are pictures and there are photographs. Pictures are great because they help to tell a story and give detail about a specific event. They're informative, crucial to the overall look of the wedding portfolio, and closely interwoven with other pictures. Photographs, on the other hand, are the story themselves. They're the soul. They need no explanation and they do exceptionally well standing alone, apart from any other image. They're timeless, well composed, and, well, classic. I'm extremely excited to be starting a new blog series appropriately titled, 'The Classics'. At one photo per post these images won't need much of a description. They're the photographs I want to take more of and the images I want my portfolio to be comprised of. Without further introduction here is the first classic photograph - an image taken last September at a wedding I shot with Ms. Jessie Smith.

Happy Wednesday,

Michelle